
My brief review of Dunkirk. In short: amazing. The story, told from four tight points of view, are shown in different time sequences. Over the course of the film, you get two people’s story of their time on the beach over the period of a week, one POV where you spend time on a small boat over the course of a day, and finally, one POV from inside the cockpit of a Spitfire that lasts one hour. The three timelines are cleverly cut together, and while it took me a couple of scene changes to figure out what they were doing, in the end it works brilliantly.
The cinematography and sound are beautiful. Dialogue is sparse and at times the film seems to go on forever without anyone speaking. Gunfire sounds like it’s coming right at you, the drone of marine diesels and aircraft engines that, meshed with Hans Zimmer’s unceasing soundtrack – literally, the music does not stop for an instant — creates an all-encompassing background dirge. One of my minor quibbles with the film is that I’d have liked to have some moments without the music, but seeing as the film isn’t about respite, even for an instant, it’s fitting as-is.
The acting is first rate. Cillian Murphy is as good as ever. Tom Hardy, as always, owns every scene he’s in, even though here most of his work is done behind an oxygen mask in a Spitfire’s cockpit.
This isn’t a typical war film. Continue reading →